Rosas y Espinas


Rosas y Espinas meditates on my childhood memory, spirituality, and the role women take on as cultural preservers. Growing up in a Latino Baptist church, my sense of identity was shaped by scripture, traditions, and the soft strength of my mother. These experiences stirred curiosities within me but also taught me how deeply tradition can live in the body and settle into memory. Through reflections on moments where faith and tradition blur into performance, I attempt to understand the tension between what is inherited and what is personally experienced. 

This work began with my mother’s photo archive that traces our family’s journey from El Salvador to the present. As I sift through them, I understand how much of who I am has been passed down through gestures and religious symbolism. The photographs I make are a way of speaking back, of asking questions, of honoring what I’ve been given while searching for what is my own. Listening to my inner dialogue when titling, they weave in and out between Spanish and English like many who are raised bilinguals experience. 

The Other Room, 2025


Pureza en el Barrio, Chalatenango, El Salvador, 2024

Las Coronas Se Pasan, 2025
Mom’s Baptism, archival photograph, 2025

Commuting, 2025
First Reenactment, El Salvador archival photograph, 2025

Motherhood, 2025

Eva’s Notes, 2024


Textures of Huipils of the 21st century, 2025
Raveling Tapestry, 2025

Leslie’s Family Emblem, 2025
Will you go blind, Ma?, 2025
Templo, 2025
Templo, 2025
Hidden Prayers, 2024
Temptations, 2024

Installation view, 2025





Las Coronas Se Pasan, 2025

[video link available by request]